giorgio vasari biography

He was the first to use the term "Renaissance" (rinascita) in print – though an awareness of the ongoing "rebirth" in the arts had been in the air since the time of Alberti– and was responsible for the mo… A year later, the 21-year-old Vasari joined the Florentine painters' guild and he would become instrumental in elevating the guild's prestige. Left: Giorgio Vasari - Deposition from the Cross, circa 1540. His marriage to Nicolosa came in fact hard on the heels of Maddalena's death. Vasari's architectural career truly began after his admittance into the Duke Cosimo's court (in 1554), and he designed and executed many buildings and city plans both for Cosimo and for the Pope. Vasari's Lives was published in Florence in 1550; it was revised and enlarged in 1568. There is a popular argument that Vasari might have been a better architect than painter. Giorgio Vasari (1511-1570) was an Italian painter, architect, and author of "The Lives of the Most Celebrated Painters, Sculptors, and Architects." Giorgio Vasari was an Italian artist, architect, and writer best known for his comprehensive book of biographies Lives of the Artists (1550). Italian painter, architect and biographer, one of Italy's busiest and most influential Mannerist artists. As an avid collector of drawings, Vasari also contributed to the popularization of drawings as worthwhile aesthetic documents, rather than preparatory material to be discarded. It is almost impossible to imagine the history of Italian art without Vasari, so fundamental is his Lives. Giorgio Vasari, (1511–1574), was an Italian painter, architect and writer.He is most famous for his book "The Lives of the Great Architects, Painters and Sculptors of Italy", which is usually known as "Vasari's Lives".Although some other writers had written about art, this book, which was published in 1550 makes Vasari the first art historian. Giorgio Vasari (1511-1574) Although famous for his painting and architecture, Giorgio Vasari is today best-known for his volume of biographies of Italian artists - Le Vita delle più eccellenti pittori, scultori, ed architettori (Lives of the Most Excellent Painters, Sculptors and Architects) or "the Vite " for short) - published in 1550. He maintained books (now lost) entitled Libri dei Disegni (Books of Drawings) in which he organized and displayed drawings by artists he admired. On the other hand, his reverence for factual truth was less than would be required of a modern historian, and he was unable to resist an amusing anecdote. "Giorgio di Antonio Vasari Artist Overview and Analysis". 1447-1455), also wrote the earliest autobiography by a modern artist. Yet despite the views of the naysayers, and though often apart, Vasari was fond of his wife and was rueful of the fact that their union remained childless. Vasari also took on the task of designing, rebuilding, and organizing the Palazzo della Signoria in Florence, which included Cosimo's private quarters, his assembly rooms, and the offices destined for his administrators, the Uffizi. Height: 311 cm (10.2 ft); Width: 210 cm (82.6 in). It became a cornerstone of art historiography and the periodization of the Renaissance style. In the latter years of Michelangelo's life Vasari came to know him quite well, and for this reason the two versions of his biography of Michelangelo are of the greatest importance as a contemporary assessment. His great-grandfather Lazzaro Vasari had been a versatile artiste: a potter, a creator of decorated saddles, a painter of miniatures, and later, under the influence of his mentor Piero della Francesco, a fresco painter. Giorgio Vasari was born on July 30, 1511, in Arezzo. Yet despite being raised within such a long line of artisans, and despite his refined early schooling, Vasari would need to move to Florence if he was to develop true expertise in the fields of art and architecture. Home » Collection » Vasari, Giorgio. Everyday low prices and free delivery on eligible orders. He was also an architect. Giorgio Vasari (1511-1570) was an Italian painter, architect, and author of "The Lives of the Most Celebrated Painters, Sculptors, and Architects." As a young man he showed a remarkable interest and talent for painting and soon … There are several English translations of Vasari's Lives, in whole or in part, the best selection being that translated by George Bull as The Lives of the Artists (1965). From Giorgio Vasari: "Life of Leonardo da Vinci", in Lives of the Most Eminent Painters, Sculptors, and Architects: ANDREA DEL VERROCCHIO was in his time a goldsmith, sculptor, carver in wood, painter, and musician. Although their patrons often still considered them merely particularly skillful servants, many artists of the Renaissance began to develop a higher opinion of themselves. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Giorgio Vasari's Lives . Though Vasari's apprenticeship with Michelangelo lasted only a matter of months, his esteemed tutor was sufficiently taken with the young apprentice's talent that he secured a place for Vasari in the painter Andrea del Sarto's workshop in 1525. 1511, Arezzo, d. 1574, Firenze) Biography. This opportunity arose as a consequence of Vasari's family ties to the Medici family, an Italian banking family and political dynasty who were at that time the most influential of all the patrons of the arts. Indeed, little Giorgio had been a sickly child, stricken with frequent nosebleeds (and possibly severe eczema). Personalidad destacada de su tiempo, trabajó como arquitecto y como pintor y recibió importantes encargos. Vasari took great care to gather material on his numerous journeys, and, more than any of his predecessors, he looked at works of art. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. For biographical information on Vasari see Einar Rud, Vasari's Life and Lives (1963). He supervised the building of Pope Julius III's Villa Giulia near Rome, but his masterpiece is the reconstruction of the Uffizi picture gallery in Florence (from 1560), originally the offices of the grandducal administration. It is the first real and autonomous history of art both because of its monumental scope and because of the integration of the individual biographies into a whole. The Accademia took its model of an ideal artist and its educational program from The Lives and aspired to educate artists in artistic skills as well as in literature and science. [Giorgio Vasari Biography - ( 1511 - 74 ), Lives of the Most Excellent Painters, Sculptors, and … Giorgio Vasari Biography, Life, Interesting Facts. It … He apparently suffered at the hands of Andrea's wife, to judge from the waspish references to her in his life of Andrea. [Internet]. The tradition of such biographies goes back to antiquity; technical treatises on the arts were also written in classical times, Pliny the Elder and Vitruvius having p… The Lives used each artist's biography as an entry point to understand his or her work, a technique which was unique in Vasari's time but now a commonplace art historical methodology. When combined, these "qualities" would account for his impressive professional savvy. In 1568 Vasari produced a second edition, much larger than the original and containing a great many alterations, particularly in the earlier lives. But he being called by Pope Clement VII to Rome, determined that Vasari should go to Andrea del Sarto, and went himself … VASARI, Giorgio (b. Giorgio Vasari was an Italian artist, architect and art historian and one of the most influential artists in 16th century Italy. classical times, Pliny the Elder and Vitruvius having produced two celebrated examples. Scholar Leon Satkowski presents a biographical picture of Vasari as something of a narcissist. Beginning with Cimabue and Giotto, who represent the infancy of art, Vasari considers the period of youthful vigour, shaped by Donatello, Brunelleschi, Ghiberti, and Masaccio, before discussing the mature period of perfection, dominated by the titanic figures of Leonardo, Raphael, and Michelangelo. Vasari's career is well documented, the fullest source of information being the autobiography added to the 1568 edition of his Lives. His book is the foundation of modern art historiography and the prototype for all biographies of artists. Scholars Ingrid Rowland and Noah Charney describe the text as "part historical urban legend, part morality tale," as Vasari showed "that talent is not enough to build a career: persistence counts too." Vasari painted a portrait of an ideal artist who was financial savvy and successful, by right, and who conducted himself of herself morally. Vasari soon left del Sarto's employ for a short-lived spell in the workshop of sculptor Baccio Bandinelli, an artist who Vasari came to despise (and who he vilified in the 2nd edition of The Lives of the Most Eminent Painters, Sculptors and Architects). Collection Santi Donato e Ilariano, Camaldoli / Right: Giorgio Vasari - Self-Portrait, 1550-67. He fulsomely praised the Medici family for forwarding his career from childhood, and much of his work was done for Cosimo I, Grand Duke of Tuscany. These accusations, regardless of their authenticity, posed a risk to Vasari's career because they called into question his credibility and moral fitness for the first time. The book opens with long introductions on the history and technique of painting, sculpture, and architecture, as practiced in Italy since the Dark Ages, and then proceeds to a chronological series of lives of the great revivers of painting (Giotto), sculpture (the Pisani), and architecture (Arnolfo di Cambio), reaching a climax in the life of Michelangelo, the master of all three arts, who was then 75 years old. At a very early age he became a pupil of Guglielmo da Marsiglia, a very skilful painter of stained glass, to whom he was recommended by his own kinsman, the painter Luca Signorelli. Vasari structured each of his artist profiles within an identifiable progression, beginning with the artist's birthplace and family history; then rigorous, dedicated training; and then details and anecdotes about professional success and aesthetic significance. To it relatively late in his distinguished career. 's Lives was, however, biased towards Tuscan and Florentine. 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